DRAMMA PER MUSICA
Beiträge zur Geschichte, Theorie und Kritik des Musiktheaters
[Articles on the history, theory and criticism of music theatre]
Series Editor: Richard Bletschacher
All volumes 17 x 23 cms, generously illustrated, and sewn in soft covers

dpm 1
RICHARD BLETSCHACHER
Rappresentazione sacra
Geistliches Musikdrama am Wiener Kaiserhof 1660-1725
[Rappresentazione sacra. Sacred music drama at the imperial court in Vienna 1660-1725]
In addition to the lives of the relevant poets and composers, this volume also contains seven selected librettos in the original Italian and in German translation.
Kaiser Leopold I.: Il figliuol prodigo / 'Der verlorene Sohn', 1663
P. A. Ziani: Assalone punito / 'Die Bestrafung des Absalom', 1667
Kaiser Leopold I.: Il lutto dell'universo / 'Die Trauer des Weltalls', 1668
A. Draghi: L'eternità sogetta al tempo / 'Die Ewigkeit unterwirft sich der Zeit', 1683
A. Draghi: La vita nella morte / 'Das Leben im Tode', 1688
J. J. Fux: La fede sacrilega / 'Der frevelhafte Schwur', 1714
F. Conti: David, 1724
ISBN 978-3-900270-10-0 (1985), 272 pages
dpm 2
HERBERT SEIFERT
Der Sig-prangende Hochzeit-Gott
Hochzeitsfeste am Wiener Hof der Habsburger und ihre Allegorik 1622-1699
[The wedding God in all his glory. Wedding celebrations at the Habsburg court in Vienna, and the allegory lying behind them.]
At seventeenth-century courts, the most important music drama performances were mounted for weddings. 'Weddings are soon followed by alliances' – the magnificent spectacles were not put on simply for entertainment's sake. This cross-disciplinary book is amply illustrated and presents a wealth of detail in highly readable form.
ISBN 978-3-900270-13-1 (1988), 132 pages

dpm 3
RICHARD BLETSCHACHER
Die Stimme des Lorbeers
Operntexte des 17. Jahrhunderts im Original
und in deutscher Übersetzung von Richard Bletschacher

[The voice of the laurel. Opera texts from the seventeenth century, in the original language and translated into German by Richard Bletschacher.]

J. Peri: L'Euridice 1600
C. Monteverdi: Il lamento d'Arianna / 'Die Klage der Ariadne', 1608
C. Monteverdi: Ballo delle ingrate / 'Der Tanz der lieblosen Frauen', 1608
C. Monteverdi: Il combattimento di Tancredi et Clorinda / 'Der Zweikampf zwischen Tankred und Clorinda', 1624
F. Cavalli: La Didone / 'Dido', 1643
F. Cavalli: Gli amori d'Apollo e di Dafne / 'Die Liebe des Apollon und der Daphne', 1640
Emperor Leopold I: Orfeo y Euridice / 'Orpheus und Eurydike', 1667
Emperor Leopold I: La Nobia Barbuda / 'Die bärtige Braut', 1667
J. Blow: Venus and Adonis / 'Venus und Adonis', 1683
H. Purcell: Dido and Aeneas / 'Dido und Aeneas', 1700
ISBN 978-3-900270-14-8 (1990), 420 pages

dpm 4
ANDREA SOMMER-MATHIS
Tu felix Austria nube
Hochzeitsfeste der Habsburger im 18. Jahrhundert
[Tu felix Austria nube. Habsburg wedding celebrations in the eighteenth century.]

This book, a continuation of the second volume in the dpm series, gives a well- illustrated and detailed description of eighteenth-century Habsburg wedding celebrations. Historically speaking, the book spans the period from Emperor Charles VI to Franz II (I), taking in Maria Theresa and her children on its path; from the point of view of music drama, the book ranges from Antonio Caldara through Johann Adolph Hasse to Gluck and Mozart, and from Apostolo Zeno and Pietro Pariati through Pietro Metastasio to Lorenzo da Ponte. The book not only presents the celebrations mounted at the Vienna court but also those put on in parallel in Barcelona, Dresden, Munich, Parma, Innsbruck, Naples, Paris and Milan, thus treating the reader to a colourful panorama of the culture of celebration as it was cultivated and practised all over Europe in the eighteenth century.
ISBN 978-3-900270-27-8 (1994), 284 pages